Artemis

October 9-13

Tickets

Sponsored by: Ken & Nancy Kranzberg

Hailing from America, Canada, Israel, Chile and Japan: ARTEMIS is an international all-star group featuring six of the top performers on the jazz scene today: pianist and musical director RENEE ROSNES, trumpeter INGRID JENSEN, clarinetist ANAT COHEN, tenor saxophonist MELISSA ALDANA, bassist NORIKO UEDA and drummer ALLISON MILLER. Forget about gender! This is a significant and serious band that plays with passion, power and sensitivity. They will bring their collective artistry to the world, throughout 2020, with unforgettable performances of high-wire interplay and pure joy.


"One of Sunday’s clear highlights was a set by the super-group Artemis, a collective whose members — pianist Renee Rosnes, saxophonist Melissa Aldana, clarinetist Anat Cohen, trumpeter Ingrid Jensen, bassist Noriko Ueda and drummer Allison Miller — can all regularly be heard leading their own bands. Their set played like an expertly crafted mixtape, moving from a knotty version of Thelonious Monk’s “Brilliant Corners” to a surprisingly dramatic arrangement of the Beatles’ ‘Fool on the Hill.’"

"Two all-female ensembles scored high marks with festival-goers on Sunday. At the Fort Stage it was Artemis, the all-star sextet named for the Greek goddess of wilderness and the hunt. With a powerhouse frontline of trumpeter Ingrid Jensen, tenor saxophonist Melissa Aldana and clarinetist Cohen, and a solid rhythm section of pianist Renee Rosnes, bassist Noriko Ueda and drummer Allison Miller, they turned in a swinging rendition of Monk’s “Brilliant Corners” and delivered a twist on the Beatles’ ‘Fool On The Hill.'"

Upcoming Shows

APR. 8
1959: The Year that Changed Jazz
More Info

1959: The Year that Changed Jazz

featuring author, Ashley Kahn

THIS EVENT IS A PART OF OUR WHITAKER JAZZ SPEAKS: PERFORMANCE & AUTHOR SERIES

The year 1959 was arguably the most creative year jazz had ever seen. As musicians began breaking away from BeBop and exploring new experimental forms, four albums were released that year that are now widely recognized as the most influential in history. Miles Davis’s Kind of Blue, Dave Brubeck’s Time Out, Charles Mingus’s Mingus Ah Um, and Ornette Coleman’s The Shape of Jazz to Come, represented new directions in music that influenced the course of jazz in every aspect. Author, Ashley Kahn, returns to Jazz St. Louis to explore this influential year in jazz, followed by an all-star performance, led by bassist Bob DeBoo.

Wednesday, April 8

Jazz St. Louis
3536 Washington Ave
St. Louis, MO 63103
doors open at 6pm, program to commence at 7 pm

COST: Free

Tickets

APR. 10-11
Bryan Carter, Roxy Coss, & Riley Mulherkar
More Info

Lauded by Wynton Marsalis as a “rising jazz artist”, trumpeter Riley Mulherkar returns for his second residency, this time with tenor saxophonist Roxy Coss who was praised by All About Jazz for her “perfect balance of lyricism and intensity…”. Holding down the rhythm section is Bryan Carter, a graduate of the Julliard School, who is an alumnus of the bands of Mulgrew Miller, Kenny Barron, and Kurt Elling.

Tickets

APR. 15-19
Harold López-Nussa

APR 21
Bach, Blues, and Bernstein

MISSION

Jazz St. Louis is a not-for-profit 501(c)(3) organization whose mission is to lead our community in advancing the uniquely American art of jazz through live performance, education and community engagement.

Stay In-Tune! Sign up for our newsletter to receive information on upcoming shows, promotions, and educational programs.

  • This field is for validation purposes and should be left unchanged.

Sign up for our newsletter and stay in tune with upcoming events, promotions, and educational opportunities.

  • This field is for validation purposes and should be left unchanged.

We promise not to share your info. View our Privacy Policy.