Christian McBride's New Jawn

Nov 28 - Dec 2

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Sponsored by Friends of Jazz St. Louis Staff and Jon & Barbara Topp

Six-time GRAMMY®-winning jazz bassist Christian McBride can be likened to a force of nature, fusing the fire and fury of a virtuoso with the depth and grounding of a seasoned journeyman. Powered by a relentless energy and a boundless love of swing, McBride’s path has described a continuous positive arc since his arrival on the scene. With a career now blazing into its third decade, the Philadelphia native has become one of the most requested, most recorded, and most respected figures in the music world today.

Raised in a city steeped in soul, McBride moved to New York in 1989 to pursue classical studies at the Juilliard School. There he was promptly recruited to the road by saxophonist Bobby Watson. Call it a change in curriculum: a decade’s worth of study through hundreds of recording sessions and countless gigs with an ever-expanding circle of musicians. He was finding his voice, and others were learning to listen for it.

In 2000 the lessons of the road came together in the formation of what would become his longest-running project, the Christian McBride Band. Praised by writer Alan Leeds as “one of the most intoxicating, least predictable bands on the scene today,” the CMB—saxophonist Ron Blake, keyboardist Geoffrey Keezer, and drummer Terreon Gully—have been collectively evolving McBride’s all-inclusive, forward-thinking outlook on music through their incendiary live shows, as chronicled on 2006’s Live at Tonic. Part excursion, part education, the CMB is a vehicle built on a framework of experience and powered by unfettered creativity: a mesmerizing dance on the edge of an electro-acoustic fault line.

In 2009 McBride began focusing this same energy through a more traditional lens with the debut of his critically-acclaimed Inside Straight quintet, and again with the Christian McBride Big Band, whose 2012 release The Good Feeling won the GRAMMY for Best Large Ensemble Jazz Album. As his career entered its third decade, McBride added the role of mentor, tapping rising stars pianist Christian Sands and drummer Ulysses Owens, Jr. for the Christian McBride Trio’s GRAMMY-nominated album  Out Here.

He is also a respected educator and advocate, first noted in 1997 when he spoke on former President Bill Clinton’s town hall meeting “Racism in the Performing Arts.” He has since been named Artistic Director of the Jazz Aspen Snowmass Summer Sessions (2000), co-director of the National Jazz Museum in Harlem (2005), and the Second Creative Chair for Jazz of the Los Angeles Philharmonic Association (2005).

In 1998 he combined roles, composing “The Movement, Revisited,” a four-movement suite dedicated to four of the major figures of the civil rights movement: Rosa Parks, Malcolm X, Muhammad Ali and Dr. Martin Luther King, Jr. The piece was commissioned by the Portland (ME) Arts Society and the National Endowment for the Arts, and performed throughout New England in the fall of 1998 with McBride’s quartet and a 30-piece gospel choir. For its tenth anniversary, “The Movement, Revisited” was expanded, rewritten, and revamped to feature an 18-piece big band and four actors/speakers in addition to the gospel choir. It was performed in Los Angeles at Walt Disney Concert Hall, and praised by the Los Angeles Times as “a work that was admirable—to paraphrase Dr. King—for both the content of its music and the character of its message.”

Currently he hosts and produces “The Lowdown: Conversations With Christian” on SiriusXM satellite radio and National Public Radio’s “Jazz Night in America,” a weekly radio show and multimedia collaboration between WBGO, NPR and Jazz at Lincoln Center, showcasing outstanding live jazz from across the country. With his staggering body of work, McBride is the ideal host, drawing on history, experience, and a gift for storytelling to bridge the gap between artist, music, and audience. He brings that same breadth of experience to bear as Artistic Advisor for Jazz Programming at the New Jersey Performing Arts Center (NJPAC).

Completing the circle is his work with Jazz House Kids, the nationally recognized community arts organization founded by his wife, vocalist Melissa Walker.  Exclusively dedicated to educating children through jazz, the “Jazz House” concept brings internationally renowned jazz performers to teach alongside a professional staff, offering students a wide range of creative programming that develops musical potential, enhances leadership skills, and strengthens academic performance. This shared celebration of America’s original musical art form cultivates tomorrow’s community leaders and global citizens while preserving its rich legacy for future generations.

Whether behind the bass or away from it, Christian McBride is always of the music. From jazz (Freddie Hubbard, Sonny Rollins, J.J. Johnson, Ray Brown, Milt Jackson, McCoy Tyner, Roy Haynes, Chick Corea, Herbie Hancock, Pat Metheny, to R&B (Isaac Hayes, Chaka Khan, Natalie Cole, Lalah Hathaway, and the one and only Godfather of Soul himself, James Brown) to pop/rock (Sting, Paul McCartney, Carly Simon, Don Henley, Bruce Hornsby) to hip-hop/neo-soul (The Roots, D’Angelo, Queen Latifah) to classical  (Kathleen Battle, Edgar Meyer, Shanghai Quartet, Sonus Quartet), he is a luminary with one hand ever reaching for new heights, and the other extended in fellowship—and perhaps the hint of a challenge—inviting us to join him.


"When the bassist Christian McBride feels good about a groove, he savors it, exults in it."

"McBride has settled comfortably into his role as his generation’s foremost practitioner of his instrument."

"Christian McBride, has been one of the most important and most omnipresent figures in the jazz world for 20 years."

Upcoming Shows

NOV 14-18
Jeff Lorber Fusion

NOV 23 & 24
Jeremy Davenport
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Jeremy Davenport

Jeremy Davenport infuses a unique style of storytelling with original lyrics and music, creating not only a modern edge, but also a feeling reminiscent of the time when jazz was at its peak of popularity. Davenport, a St. Louis native, studied and played with members and guests of the Symphony, which included an early introduction to Wynton Marsalis. A member of Harry Connick, Jr.’s big band for six years, Davenport now tours the world, plays regularly in New Orleans, and returns home annually for this Thanksgiving tradition at Jazz St. Louis.

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DEC 1
Sound of The Trumpet: an Evan Horne mystery by Bill Moody
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SOUND OF THE TRUMPET: AN EVAN HORNE MYSTERY BY BILL MOODY

Out of print and not available at Left Bank Books

The sound and the fury…

On a dark night in Pennsylvania, a jazz legend met his death.  But now, in the heat and light of Las Vegas, the sound of Clifford Brown’s soaring trumpet is coming back to life.  Because a man named Evan Horne, who knows all about jazz and pain, is unraveling a puzzle that reaches back forty years to Brown’s last hours–and that has already gotten one person killed.

Horne was called to Las Vegas to authenticate some recordings purported to be the lost tapes of Clifford Brown. But when a murder interrupts his listening session, Horne becomes the key player in a dangerous duet.  Carrying a worn old trumpet that may have belonged to Clifford Brown himself, Horne is pursuing the truth behind an audiotape that may be worth a fortune, may be a hoax and may be just one haunting melody in a killer’s murderous obsession. . .

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NOV 28 - DEC 2
Christian McBride’s New Jawn

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Jazz St. Louis is a not-for-profit 501(c)(3) organization whose mission is to lead our community in advancing the uniquely American art of jazz through live performance, education and community engagement.

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