Terence Blanchard ft. The E-Collective

November 20-24

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Sponsored by: Noémi & Michael Neidorff

Music and art have the power to change hearts and souls,’ expresses composer and trumpeter Terence Blanchard — a belief brought to life through the music of Blanchard and his E-Collective. This revolutionary ensemble thrives off the perfect mixture of Blanchard’s genius and the innovations of four young musical pioneers: guitarist Charles Altura, pianist Fabian Almazan, bassist David ‘DJ’ Ginyard Jr., and drummer Oscar Seaton. It was while recording the scores for Spike Lee’s Inside Man and Kasi Lemmons’ Talk to Me that Blanchard and Seaton first dreamt of a band that layered grooves teeming with funk, R&B, and blues colors. Years later, that dream came to fruition and formed the foundation for the E-Collective’s signature sound.

Following a poignant E-Collective performance in Staten Island, Blanchard was overwhelmed by the healing impact of his music on the audience. In attendance were many friends and family of Eric Garner ‘” a local man who had been fatally injured in an altercation with police and to whom the E-Collective’s debut album, Breathless, is dedicated. Motivated by this experience, the E-Collective’s 2018 album, LIVE, was recorded live in Twin Cities, Cleveland, Dallas, and Harlem, all of which are cities that have been similarly wounded by racial tensions. Coinciding with these recording sessions, Blanchard worked with local community leaders to host panel discussions encouraging dialogue for positive social change. As the E-Collective ventures into uncharted territories, there is a common understanding that creation and communication generate change.


"A trumpeter of expressive urgency and a composer of expansive vision."

"Terence Blanchard has always been forward thinking, but with E-Collective he shoots straight into tomorrow adding all sorts of different types of electricity and attitude to a new set of tunes. The concept is still right now with a more modern edge and sound, vocals and all, but it’s still the tough but tender, timeless but vital unique tone that marks Terence’s horn as one of the truly great and classic jazzmen."

Upcoming Shows

APR. 8
1959: The Year that Changed Jazz
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1959: The Year that Changed Jazz

featuring author, Ashley Kahn

THIS EVENT IS A PART OF OUR WHITAKER JAZZ SPEAKS: PERFORMANCE & AUTHOR SERIES

The year 1959 was arguably the most creative year jazz had ever seen. As musicians began breaking away from BeBop and exploring new experimental forms, four albums were released that year that are now widely recognized as the most influential in history. Miles Davis’s Kind of Blue, Dave Brubeck’s Time Out, Charles Mingus’s Mingus Ah Um, and Ornette Coleman’s The Shape of Jazz to Come, represented new directions in music that influenced the course of jazz in every aspect. Author, Ashley Kahn, returns to Jazz St. Louis to explore this influential year in jazz, followed by an all-star performance, led by bassist Bob DeBoo.

Wednesday, April 8

Jazz St. Louis
3536 Washington Ave
St. Louis, MO 63103
doors open at 6pm, program to commence at 7 pm

COST: Free

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APR. 10-11
Bryan Carter, Roxy Coss, & Riley Mulherkar
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Lauded by Wynton Marsalis as a “rising jazz artist”, trumpeter Riley Mulherkar returns for his second residency, this time with tenor saxophonist Roxy Coss who was praised by All About Jazz for her “perfect balance of lyricism and intensity…”. Holding down the rhythm section is Bryan Carter, a graduate of the Julliard School, who is an alumnus of the bands of Mulgrew Miller, Kenny Barron, and Kurt Elling.

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APR. 15-19
Harold López-Nussa

APR 21
Bach, Blues, and Bernstein

MISSION

Jazz St. Louis is a not-for-profit 501(c)(3) organization whose mission is to lead our community in advancing the uniquely American art of jazz through live performance, education and community engagement.

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